Official Official Opening Day 2004 New York Yankees T-shirt

 

Official Official Opening Day 2004 New York Yankees T-shirt, hoodie, tank top, longsleeve

And it means they’ll always have something to wear, no matter the demands of life or work. I used to think about dressing in an event-specific way, rather than treating the more mundane aspects of my life as something to dress up for as well. [These clothes] make me feel like I’m dressing for the life I actually have,” Graves says. I think of it as like having a well-stocked bar or pantry. If you have good base ingredients, then you’re always going to be able to whip something up.” monthly series Office Hours, we ask people in powerful positions to take us through their first jobs, worst jobs, and everything in between. This month we spoke candidly to model, former editor, and founder Lauren Chan, who, after facilitating the acquisition of her size-inclusive brand Henning to Universal Standard, recently made history as the first plus-size, queer model to earn the Rookie title in Sports Illustrated’s annual Swimsuit issue. I feel tired, excited, relieved it all went well…all the things,” she tells ELLE.com of her new chapter, which came after announcing her divorce to her ex-husband earlier this year. My longtime goal is to make sure whatever I’m working on in fashion ensures that women who have been marginalized by the industry due to their size or physical attributes feel equal, included, and powerful. Although my career is a little bit all over the place, that through line is very centering to me.” Here, Chan discusses why she decided to share her personal story, the importance of size inclusivity in fashion, and the hard lessons she’s learned along the way.

Fun fact: I was a counselor at a basketball camp in Muskoka, Canada. But my first office role was as an associate fashion writer at Glamour. My job was to write the small bits of copy in the magazine, whether that was the editorial captions or the 50- to 70-word news pieces on the front of book news pages, and I loved it. This was circa 2015, and I feel lucky to have caught the tail end of magazines as I had always admired them from the movies: the print issues, the culture, the editors. I got to see a glimpse of that before everything really took a sharp turn to digital. I worked for Jane Keltner de Valle, Wendy Naugle, and Cindi Leive, who were my fashion news director, deputy editor, and editor-in-chief, respectively. I can’t even put into words how lucky I feel to have worked for these women. They taught me how to be an editor, an outspoken professional, and connect with people, whether they’re readers or followers. I can still hear Cindi’s voice in my head whenever I write.

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